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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Fri, 24 Feb 2012 04:45:48 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Cyber Means Pilot</title><link>http://www.cyberstudies.org/journal/</link><description>A simple look of cyberissues on a semi-regular basics</description><lastBuildDate>Wed, 18 Jan 2012 21:07:20 +0000</lastBuildDate><copyright>Center for Society and Cyberstudies</copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>Breaking the 'net</title><category>Blackout</category><category>DMCA</category><category>Google</category><category>OPEN</category><category>PIPA</category><category>Pop Culture</category><category>SOPA</category><dc:creator>Shane Tilton</dc:creator><pubDate>Wed, 18 Jan 2012 20:27:34 +0000</pubDate><link>http://www.cyberstudies.org/journal/2012/1/18/breaking-the-net.html</link><guid isPermaLink="false">330448:3476043:14637598</guid><description><![CDATA[<p>January 18, 2012 will be best remembered for the <a href="http://www.washingtonpost.com/blogs/blogpost/post/sopa-pipa-protests-a-list-of-alternatives-for-blacked-out-sites-like-wikipedia-and-craigslist/2012/01/18/gIQA3Nwh8P_blog.html">&ldquo;blacking out of the web&rdquo;</a> as several of the core business of the Internet have either decided to blackout the site (e.g. reddit.com) or black out their logo (e.g. google.com). The focus of the black out has been <a href="http://www.gpo.gov/fdsys/pkg/BILLS-112hr3261ih/pdf/BILLS-112hr3261ih.pdf">the Stop Online Piracy Act or SOPA</a>, <a href="http://leahy.senate.gov/imo/media/doc/BillText-PROTECTIPAct.pdf">the Protect IP Act of 2011 or PIPA</a> and <a href="http://keepthewebopen.com/assets/pdfs/OPEN.pdf">the Online Protection and Enforcement of Digital Trade Act or OPEN</a>. The problem with all of these bills comes down to one repeating issues associated with piracy. An action designed to prevent piracy does little to stop the textbook definitions of piracy and does more to harm the everyday customers. &nbsp;<br /><br />The RIAA and the MPAA are both championing these legislative acts as a way of protecting content creators. However, there are other acts that were designed to stop piracy. <a href="http://www.copyright.gov/legislation/dmca.pdf">The Digital Millennium Copyright Act or DMCA</a> reflected the changing nature of cultural content and allowed for provisions that protected the content creators, the holders of copyright and most importantly, the public. These current series of proposed laws do not factor in public protection. <a href="http://repository.upenn.edu/cgi/viewcontent.cgi?article=1113&amp;context=asc_papers&amp;sei-redir=1&amp;referer=http%3A%2F%2Fwww.google.com%2Furl%3Fsa%3Dt%26rct%3Dj%26q%3Dfair%2520use%2520defense%2520dmca%2520pdf%26source%3Dweb%26cd%3D4%26ved%3D0CDoQFjAD%26url%3Dhttp%253A%252F%252Frepository.upenn.edu%252Fcgi%252Fviewcontent.cgi%253Farticle%253D1113%2526context%253Dasc_papers%26ei%3DSC8XT8vvBIqIsgLvzI2GAg%26usg%3DAFQjCNE1AtRGf7YBJhmKux8qKD1iQQI0EQ%26sig2%3DkwqWsrlBKUGZGylkKmckFg#search=%22fair%20use%20defense%20dmca%20pdf%22">There is no &ldquo;fair use&rdquo; defense allowed these new pieces of legislation.</a> In addition, the wording of both SOPA and PIPA are vague enough that a judge could rule that a comment posted on a site that links to any unauthorized piece of content would be grounds to shut down the entire site. The burden of complete moderation is forced upon the owners of the website to determine legal and illegal distributed pieces of content. This burden is different than the burden of censoring other forms of illegal materials (e.g. forms of hate speech and child pornography). &nbsp;This goes above and beyond the take down notices that are already in place of most search engines and social networking sites.<br /><br />Another key point to note is that pirates could gain access to illegally downloaded content through proxies and <a href="http://vimeo.com/31100268">directly typing in IP addresses. </a>The ability to block direct access to sites like &ldquo;Pirate Bay&rdquo; and &ldquo;Limewire&rdquo; does not prevent all access to these sites regardless of what legislation Congress passes. The fundamental roles of the Internet is to be redundant and provide multiple pathway for information to flow. Any attempt to change this fundamental function of the Internet would wreck the economic opportunities that are present online, would hurt the ability to transmit free speech and would essentially give control of the Internet to those powerful enough to have connections in the government or have enough money to payoff government official, which is what SOPA, PIPA and OPEN hope to accomplish.<br /><br />That is why the blackout is happening today.</p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-14637598.xml</wfw:commentRss></item><item><title>Call for Papers: "Best of IR 12"</title><category>Academic</category><category>Association of Internet Researchers</category><category>Best of IR12</category><category>IR12</category><category>Journal</category><category>Seattle</category><category>best</category><category>journal</category><dc:creator>Shane Tilton</dc:creator><pubDate>Tue, 11 Oct 2011 03:13:50 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/10/10/call-for-papers-best-of-ir-12.html</link><guid isPermaLink="false">330448:3476043:13152711</guid><description><![CDATA[<p>As the Association of Internet Researchers annual conference is just starting, it seems fair to offer a means and method to summarize or discuss some of the issues that were discussed during the conference. Therefore, the Center for Society and Cyberstudies will be creating the second digital journal from Association of Internet Researchers annual conference (#IR12). The format for the paper will be no more than 1,000 words discussing an current event that is impacted by the realm of the Internet. There must be an short abstract/introduction to the paper (no more than 100 words). We will review the submissions as a committee and pick no more than seven of the best piece that fit the call. The deadline for submission will be Decmber 31st. Submissions should be sent to shane183@gmail.com and should either be attached as a .doc or .rtf file. The subject line should be AoIR Journal.&nbsp;<br /><br />It is also important to note, the Center for Society and Cyberstudies is not directly affiliated with the Association of Internet Researchers or IR 12.0.</p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-13152711.xml</wfw:commentRss></item><item><title>Facebook's Future: Organic or Processed?</title><dc:creator>Shane Tilton</dc:creator><pubDate>Wed, 21 Sep 2011 15:08:03 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/9/21/facebooks-future-organic-or-processed.html</link><guid isPermaLink="false">330448:3476043:12936375</guid><description><![CDATA[<p>Today, Facebook rolled out some pretty dramatic changes to the front pages of the users. The gradual shift from a welcome portal to a centralized news feed has taken place over the past several months. From the most part, it is hard for the causal users of social networks to tell the functional differences between Facebook and Google Plus. Normally, these slight tweaks to the code have been primarily visual reorganization of data. Now, it seems the Facebook changes to the front page has fundamentally change the way the users of Facebook communicate with one another. While these changes will be described in the post, the point to note is that the changes to Facebook's user experience has been consistent with how the owner of social media properties look at their community and how those owners define their community.</p><p>1.) Directing away from "self-organized" groups to the "top down" control of pages and likes. During the early days of Facebook, one of the elements that drove the success of the service, in my opinion, was the ability of user to create group and control the membership of those groups. The strength was the Facebook essential gave users the ability to self-organize and therefore have a better control of their overall experience. This was the one element of user manipulation that was present in a strictly control system that was maintained by the owners of the site. For most sites to grow in the days after the "static web," the creators of the websites needed to give the audience an experience that wouldn't experience with other service. Social networking sites became a proxy for real world interactions and engagement. People feel connected to others based on knowing the activities, likes and experiences of others they choose to listen to. Despite the heavy control initially by Facebook and other social networks in the creation of individual accounts to join their services, the users could form organic communities of commonality based on their interactions and discover how others organized themselves. The issue now is that Facebook has essentially condensed the initial experience of organic organization through the commercialization of personal information and filter information through a series of likes and recommendations. The points of flexibility have been "streamlined" to the core elements of communication. Organic organization has been replaced by commercially-viable feeds of information.</p><p>2.) The reaction of social media sites to proactive social movements. Because of this direction away from the organic, the one question that comes to mind is how does this impact the ability of non-profit groups and social movements to use Facebook and other like services as an organizational tool. Some in the media have called the event in Egypt and other Arabic states as the "Facebook Revolution." I wonder if Facebook morphs into a hybrid Twitter, Google Plus, mySpace, Friendster, [fill-in-the-blank hot new social service] will it have the ability to be an instrument of easy organization and interaction. One of the reason that points to Facebook aiding in the Pro-Democracy movement in the Middle East is the fact that Facebook reached a critical mass of individuals that were interested in changing the government and Facebook and other online services provided the infrastructure that allowed the protesters to organize and discuss key issues. If Facebook becomes nothing more than a feed of trivia, commercials, spam and Farmville notifications, will any other service have enough of a critical mass to fulfill the societal role of criticism and allow the community of the service to effectively act on that criticism or will all future service be avenues of commercials, trivia and slacktivism?</p><p>It is fair to point out at this point that this criticism could be nothing more than an attempt at a logically constructed rant to show my displeasure at the changes to Facebook. However, it would also be fair to note that the structure of social network changes. Do the changes represent a need from the community that the social media site serves or a want from the owners the site to turn the site into a "cool property?"</p><p></p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-12936375.xml</wfw:commentRss></item><item><title>Is "Google Plus" the Black Box Social Network?</title><category>Facebook</category><category>Google</category><category>Orkut</category><category>Pop Culture</category><category>Twitter</category><category>openID</category><category>social networks</category><dc:creator>Shane Tilton</dc:creator><pubDate>Mon, 04 Jul 2011 00:35:55 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/7/3/is-google-plus-the-black-box-social-network.html</link><guid isPermaLink="false">330448:3476043:11998845</guid><description><![CDATA[<p>Google working within the realm of social networks is not a foreign concept. Google has attempted to purchase its way into the space with Orkut, attempted to redefine the space with services like Google Wave and Google Buzz &amp; even provide support for connecting user between the different social network and the rest of the web with their support of the OpenID Inititave. However, this week Google attempted to carve their space within the online social network world with their introduction of Google Plus. The major repeated reason that people are using Google Plus is that its Facebook without being Facebook. It is this paradoxical conflict that finds its way through most of cyber-culture, once a service become too popular, the early adopter are more apt to the leave the service for a service that is less crowded and allows for different engagement between the members. Google Plus' differences seem to be lessons from the services that are popular (Facebook and Twitter) and the lesson from the failures of the past (Google Wave).<br /><br />Once of the points that seems to be obvious when using Google Plus is that there really isn't a public feed or stream. This seems to point at the fact that Google Plus isn't meant to be used as a mass broadcasting system, rather a service of conversations. This point is noted quite often by the experts in the field. The second point that was noted by me is the fact that mass conversations can only be initiated by users within the network that have a critical mass of followers (typically above 2,000 followers). The critical mass changes the posts from stand-alone posts to starting points of engaging conversations within the network. The rest of the user within the network make due with one-to-one or one-to-few conversation within the network. This system as of now isn't meant for the mass broadcasting of content the way that a service like Facebook or Twitter can broadcast.<br /><br />The cynical thought that I has to conclude my analysis of Google Plus is that perhaps Google is using Google Plus to bring more user to their mobile platform, Android. The rationale for this statement is the fact that there doesn't seem to be apps for Google Plus outside of Android. This maybe corrected in the future, but as of now if you want to use Google Plus mobility, you must have an Android phone. <br /><br />For the most part, I enjoyed the minimumalic nature of the service as it seems to allow for simple converservations without the interruptions created by the apps of other services. However, for Google Plus to become more useful, there must be greater connection points and services to make it more that a cork board of information. For this to become a mode of vox populous, there must some other connection between the network and the web other than the simple linking of information.<br /><br /><br /></p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-11998845.xml</wfw:commentRss></item><item><title>Rural U.S. and the Use of Broadband</title><category>Pop Culture</category><category>brain drain</category><category>connectivity</category><category>digital divide</category><category>economics</category><category>knowledge</category><category>quality of life</category><dc:creator>Shane Tilton</dc:creator><pubDate>Sun, 27 Feb 2011 15:01:32 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/2/27/rural-us-and-the-use-of-broadband.html</link><guid isPermaLink="false">330448:3476043:10619504</guid><description><![CDATA[<p>One of the regional newspapers in Ohio<a href="http://www.coshoctontribune.com/article/20110227/NEWS01/102270303"> wrote on Sunday about the ability of local residents to connect to high-speed Internet service</a>. The argument that was presented in a follow-up article was that <a href="http://www.coshoctontribune.com/article/20110227/NEWS01/102270301/Broadband-key-Coshocton-area-business-development?odyssey=tab|topnews|text|Frontpage">broadband connectivity was part of the overall business infrastructure planning of rural Ohio.</a> The one point of concern presented in the follow-up article was the recent focus on reducing overall debt in the state budget would impact the development of broadband infrastructure within the local community. The point was raised that not having adequate connectivity could result in a lack of vital information being available to local business and services.</p>
<p>Part of the connectivity argument comes from a lack of knowledge on how to use the Internet or even how to turn on a computer, which is <a href="http://jcmc.indiana.edu/vol5/issue3/hoffman.html">one of the key issues related to the "Digital Divide."</a> This lack of awareness of how to use the tools of communication could lead to further separation between the urban and the rural within the United States. The question then becomes how do those within the rural part of the United States convince other that this represent a "quality of life issue" as described by Amanda Murphy from <a href="http://www.connectohio.org/">ConnectOhio</a>?</p>
<p>The basic of all arguments related to quality of life is related to basic interactions. We use online social network to reconnect to those we lost touch with, to find new business connections and look up information about the society around us. If we accept the notion that broadband communication "is the glue that brings people, businesses and the information together, allowing them to compete with the rest of the world" as described by Dorothy Skowrunski, the director of the Coshocton Port Authority, then it would seem that the current economic system is based on this glue and broadband service needed for the continued improvement of rural society.</p>
<p>The foundation of this argument could also be framed as the broadband infrastructure acts as the <a href="http://www.teletruth.org/docs/PlotkinTestimonyNYCCouncil..pdf">"engine of economic growth."</a> The rationale for this economic growth comes from the ability of the citizens within the community to display their goods, services and skills to the connected mass. People use the worldwide market system to help themselves find business opportunities that would not be present in their local communities. The next rationale that is used to support a better broadband infrastructure within the rural U.S. is that it can help with <a href="http://www.coshoctontribune.com/apps/pbcs.dll/article?AID=2011102060305">the "Brain Drain"</a> that affect some, if not most, of the smaller towns and cities found in this area. With a connected society, the location of employment is less a by-product of the factory/production center within a given region and more a by-product of where a person can be productive.</p>
<p>The question based on this discussion should be in the current economic state, is there enough of an incentive for government agencies, businesses and non-profit groups to help build up the broadband infrastructure and address some, if not all, of the issues created by the digital divide? If so, how could such as project be coordinated? If not, what could the overall cost be to the rural regions of the United States for inaction in this area?</p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-10619504.xml</wfw:commentRss></item><item><title>By Invitation Only: LiveJournal Users’ Conceptions of Access to Their Content</title><category>Best of IR11</category><category>LiveJournal</category><category>Sarah M Ford</category><category>access</category><category>filter</category><category>social media</category><category>users</category><dc:creator>Shane Tilton</dc:creator><pubDate>Thu, 24 Feb 2011 17:00:57 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/2/24/by-invitation-only-livejournal-users-conceptions-of-access-t.html</link><guid isPermaLink="false">330448:3476043:10581038</guid><description><![CDATA[<div>
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<p>One of the most common concerns in this era of online social networking is personal privacy.&nbsp; What level of detail is appropriate to post online?&nbsp; The concepts of public and private, including personal privacy, are increasingly fluid, mediated, and actively managed.</p>
<p>Social  media systems have developed a wide variety of ways to deal with this  phenomenon.&nbsp; At the moment, the best-known of these is Facebook,  but another social software system - LiveJournal, a hybrid blog and  social networking site - has featured extensive access controls for  ten years.&nbsp; Like nearly every other social media site, LiveJournal  relationships are built around &ldquo;friendship&rdquo;; on LiveJournal, the  &ldquo;friends list&rdquo; also serves as the foundation for the system&rsquo;s  extensive privacy controls.&nbsp; Every LiveJournal post can be public,  accessible only to the Friends List (&ldquo;Friends Locked&rdquo;), private,  or accessible to a subset of the Friends List (a &ldquo;filter&rdquo;).&nbsp;  It is in the filters that the power of the LiveJournal system really  lies; LiveJournal users can create as many of these subgroups as they  want to, and can include as many or as few of their LiveJournal friends  in those groups.&nbsp; Thus, the number of LiveJournal &ldquo;publics&rdquo;  is effectively infinite.&nbsp;</p>
<p>Because  these access controls have been a part of the LiveJournal system since  its infancy, it is assumed that LiveJournal users will use these  features to manage access to their personal content. In a survey of  600 LiveJournal users, 90% used Friends Lock and 75% used filters at  least monthly; LiveJournal has a culture of locking.&nbsp;  While use of these features is common, even expected, among LiveJournal  users, the reasons that people limit access to their content, and the  types of material and audiences they protect, vary.&nbsp; LiveJournal  users conceptualize access to their content either inclusively or exclusively.&nbsp; They either invite an audience into an  intimate sphere, offering up access to personal content, or they use  the software to create walls around their personal content and keep  particular audience members out.</p>
<p>In  both the exclusive and the inclusive conceptions of access, users consider  access along the dimensions of content and audience.&nbsp; LiveJournal  bloggers who think about access exclusively frequently lock specific  people out of their journals; these are most often former lovers, family  members, and coworkers.&nbsp; They also prevent specific readers or  &ldquo;the general public&rdquo; from seeing potentially identifying information  and sexually explicit content.&nbsp; Inclusive access, on the other  hand, is an invitation into the author&rsquo;s personal Internet space.&nbsp;  Posts about a particular interest or hobby may be&nbsp; filtered to  be visible only to readers who share that interest; posts containing  sexually explicit material or controversial opinions are filtered to  an audience deemed able to handle that type of content.&nbsp; At the  intersection of audience and content dimensions lies the personal content  that is shared with close friends.&nbsp; Definitions of &ldquo;personal&rdquo;  and &ldquo;close&rdquo; are, much like the reconceptualized categories of public  and private, sites of extreme fluidity.</p>
<p>This  fluidity extends beyond just definitions of terms, however.&nbsp; A  number of LiveJournal users surveyed apply both the exclusive and inclusive  conceptions of access to their material, depending on the audience,  the content, and their mood at the time of writing.&nbsp; Audience rights  are also fluid; any individual may be added to or dropped from the LiveJournal  Friends List or a filter at any time.&nbsp; Finally, the access controls  placed on an individual LiveJournal post or the entire document may  be changed at any given time.&nbsp; A reader who had access to a post  on one day may find the next that they can no longer see it. Beyond  facilitating the creation of an infinite number of &ldquo;publics&rdquo;, the  LiveJournal system allows those publics to change over time.</p>
<p>LiveJournal  is just one site within a larger social sphere, both online and off,  that these individuals inhabit.&nbsp; The ways that LiveJournal users  negotiate and play with access to personal information, the ways that  they engage with public and private in the online social space, inform  and are informed by a broader change in conceptions of public and private.&nbsp;  The techniques that they use online are techniques that are also used  as they navigate an offline world where the categories of public and  private are increasingly fluid.</p>
<p>_______________</p>
<p><span class="notranslate">Sarah M. Ford is a PhD Candidate in Sociology; University of Massachusetts, Amherst.</span></p>
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<p>&nbsp;</p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-10581038.xml</wfw:commentRss></item><item><title>Ticket Exchange Among Rock Fans in Cyberspace: Bridging Online and Offline Communities Through Material Culture</title><category>Andrea Baker</category><category>Best of IR11</category><category>Rolling Stones</category><category>community</category><category>culture</category><category>fans</category><category>material</category><dc:creator>Shane Tilton</dc:creator><pubDate>Wed, 23 Feb 2011 19:15:31 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/2/23/ticket-exchange-among-rock-fans-in-cyberspace-bridging-onlin.html</link><guid isPermaLink="false">330448:3476043:10580999</guid><description><![CDATA[<p>Introduction/Abstract:<br /><br />The topic is selected from my AoIR paper about material culture among fans: how the internet affects the distribution of tickets to shows. It is part of an ethnographic and interview study of Rolling Stones fans and their communities. &nbsp;Interacting online influences the quantity and quality of seats secured by individuals attending concerts in everyday life. <br /><br />Research Questions and Data<br /><br />Selected research questions are:<br /><br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&bull;&nbsp;&nbsp;&nbsp; How are pieces of material culture exchanged online by members of fan communities?<br /> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&bull;&nbsp;&nbsp;&nbsp; How does this process illustrate movement between online and offline realms?<br /><br />While the four classes of material culture or human-made objects discussed in the original piece included (a) personal adornment, (3) artwork by fans and band members, (3) bootleg recording of concerts, and (4) tickets, I focus here on the last, (4) tickets to live shows, an element of material culture among the fans. &nbsp;How these tickets are procured goes beyond Ticketmaster, in the search for ideal seats at Rolling Stones concerts. &nbsp;With the Stones set to announce their next tour in 2011, the ticket issue will loom large. &nbsp;As they say in their famous song, &ldquo;This could be the last time&rdquo;. &nbsp;Data here is from the latest tour to date, 2005-2007.<br /><br /><br />Findings: &nbsp;Tickets<br /><br />Helping fans procure prime tickets for shows is a function of the fan boards, whenever the band is touring. &nbsp;The goal is to sit as close to the front of the stage as possible, without spending a fortune for tickets through scalpers. The large amount and variety of tips transmitted by fans for securing good seats not only increases satisfaction with their fan boards, but also may contribute to greater attendance at concerts, according to interviews and observations. &nbsp;Fans provide clues on when to buy, advising that people may want to wait until the better seats show up on Ticketmaster, rather than panicking and buying immediately after sales open. &nbsp;<br /><br />Even more importantly, fans often have extra tickets, either by accident or intention. &nbsp;They give, trade, or sell these to each other, sometimes after first exploring their offline friend and family networks. &nbsp;Knowing that someone from another city wants to come in for the concert, fans build up points with each other by distributing hard-to-get tickets. &nbsp;Traveling companions from the same locales often buy for each other, if and when they can. &nbsp;A fan Backstreet Girl talks of how she gave an extra ticket to a sought-after small theater show to someone she owed from another concert.<br /><br />At an online fan group, a fan started a &ldquo;buying circle&rdquo; to obtain tickets for an in-demand two night run at the Beacon Theater in New York City where Martin Scorsese was filming the band for the concert documentary Shine a Light. &nbsp;Only a few thousand tickets went on sale for seats. &nbsp;A number of fans who won a contest sponsored by the official Stones website, rollingstones.com, occupied some seats, along with those able to buy from the small ticket pool. &nbsp;Hard-core fans at the second show filled the available 2100 seats.<br /><br />Angie99 from You Got Me Rocking came up with an ingenious way to keep ticket prices &ldquo;reasonable&rdquo; yet attain prime close-up seats for selected shows on the last tour. &nbsp;She wrote to people selling a seat on ebay, to strangers who couldn&rsquo;t use an extra ticket, and tell them she would arrive many hours early to save a spot in line for wristbands. &nbsp;Sellers would lower their price in exchange for a good chance at a place near the front of the audience. &nbsp;Angie99 went to four &ldquo;club shows&rdquo; that way, at venues of smaller sizes than stadiums and arenas. &nbsp;<br /><br />People sometimes share their mementos of fandom online, whether ticket stubs, photos or videos of shows, album or CD covers recorded by fans, objects of personal adornment, and artwork they have collected. &nbsp;Michael H shared the collage of objects he arranged on his bureau (see Figure 1). &nbsp;He has a copy of an Annie Leibovitz shot of the four principals in the band, ticket stubs from shows on the Licks tour, a fan club emblem, a CD from the Stones club show in Toronto, a skull ring like Keith Richards&rsquo;, and rose petals that Mick Jagger tossed into the crowd. &nbsp;Michael&rsquo;s photo combines all four categories of material culture discussed here: &nbsp;tickets, imports, adornment, and artwork.<br /><br />Figure 1: &nbsp;Michael&rsquo; H&rsquo;s Fan Collage<br /><img src="https://lh3.googleusercontent.com/NN1AjpdpBS7S3p9rJUU0FqpdAewA0K8dzNsucdUM8WozWVdLfnbSluKXT1V7TvEjd5OoTSAElPEuk24W2bZE25_Xf805TPEllV6lilO4WI8uyClVYFE" alt="" width="507px;" height="380px;" /><br /><br /><br /><br />Brief Discussion and Conclusion<br /><br />The process of identifying, depicting and distributing material culture among fans occurs online and offline. &nbsp;Objects exist offline and yet are embodied online in words and pictures. &nbsp;Prized possessions, new or old, singly or in groups, are introduced and shown online so that others can buy, trade or ask for them, or just appreciate their worth and the affection the owner has for them. &nbsp;Explored in the full paper is the role of collecting and display of objects in fulfillment of both the instrumental and the expressive or social goals of the fan groups. &nbsp;A question for further research is how does material culture contribute to the social support function of online communities and to relationships between members?</p>
<p>_____________</p>
<p>&nbsp;</p>
<p>Andrea Baker is an Associate Professor at Ohio University</p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-10580999.xml</wfw:commentRss></item><item><title>Conceptions of New Media: Towards Analytical Dimensions</title><category>Best of IR11</category><category>Jörgen Skågeby</category><category>New media</category><category>analysis</category><category>communication</category><category>connection</category><category>participation</category><dc:creator>Shane Tilton</dc:creator><pubDate>Tue, 22 Feb 2011 17:00:46 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/2/22/conceptions-of-new-media-towards-analytical-dimensions.html</link><guid isPermaLink="false">330448:3476043:10554697</guid><description><![CDATA[<p id="internal-source-marker_0.9278261400143971">Introduction</p>
<p>As Internet researchers we examine conversations, connections, contexts and cultures that are maintained between humans via new media. &nbsp;In this process, we often make use of concepts that pre-fix media or the social-technical activities enabled by them. While &ldquo;new&rdquo; is one such conceptualization it is by many scholars seen as a vague neologism (Forn&auml;s, 2008). Attempts to overcome the ambiguity of &ldquo;new&rdquo; media have been made by advocating alternative concepts that nuance and clarify the &ldquo;new&rdquo; in &ldquo;new media&rdquo; (Flew, 2008; Gitelman &amp; Pingree, 2003; Hirst &amp; Harrison, 2008; Lax, 2009; Wessels, 2010). Indeed, &ldquo;the growing trend of distinguishing between terminologies of media &ndash; digital, new, networked &ndash; has arguably been a consequence of separating different modes of engagement, production and consumption in new media cultures&rdquo; (Fuery, 2009, p. 71). Some examples from the history of Internet research are &ldquo;digital sensations&rdquo; (Hillis, 1999), &ldquo;networked identities&rdquo; (Ryberg &amp; Larsen, 2008), &ldquo;computer-mediated communication&rdquo; (Rice &amp; Love, 1987; Siegel, et al., 1986) and &ldquo;online presence&rdquo; (Chen &amp; Yen, 2004). More recent examples include &ldquo;participatory culture&rdquo;, &ldquo;networked publics&rdquo;, &ldquo;digital media&rdquo; and &ldquo;online worlds&rdquo; (from the 2010 AoIR conference). <br /><br />The central argument of this paper is that there is much to be gained from considering these concepts as analytical dimensions. That is, by (1) considering the opposites of these widely used concepts and (2) avoiding treating them as dichotomies, we hope to open up a space of inquiry (i.e. an analytical dimension) inbetween these conceptual poles. As such, the paper agrees with Morris and Ogan (1996), in that, in the context of ICT:s, it is important to provide taxonomies and categorizations that does not impose an overly-rigid structure. &nbsp;However, we also believe that there is reason to clarify our use of these concepts as Internet researchers. To illustrate this idea within the restricted space of this short paper, we will review a select number of common concepts, namely: participatory; digital; networked; interactive; online and ubiquitous.</p>
<p>From central concepts to analytical dimensions</p>
<p>In the Internet research literature, the concepts have sometimes been clearly connected to the level of analysis that is explored. However, it is also clear that the concepts have also been used interchangeably and many times without a clear definition or intended connotation, other than to refer to a general mixed communication environment consisting of humans and computers.</p>
<p>Participatory</p>
<p>This is a question of who has access to media. As such, there are both aspects of democracy as well as personal and social identity. The opposite of participatory media would arguably be monopolitical media, where a strong minority sets the agenda and &ldquo;outsiders&rdquo; are given no opportunities to take part.</p>
<p>Digital</p>
<p>The concept &ldquo;digital&rdquo; focuses on the nature of goods and transmissions (i.e. being digital or binary). With the digital nature come a number of technical characteristics such as being perfectly replicable, easily storable and searchable. In a context of social interaction via ICT:s emerges, the digital also brings questions of persistence and ephemerality as goods and conversations can be copied, stored or erased for social reasons. The opposite of the digital is the analogue and researching how values (e.g. exchange, utility and social-bonding) moves between the analogue and the digital is a pertinent question.</p>
<p>Networked</p>
<p>The concept &ldquo;networked&rdquo; emphasizes a system of interconnected nodes, where for example the type, strength or multiplexity of relationships (or ties) are in focus. As such, the link is a highlighted aspect leaving interesting issue to be explored inbetween isolated (unlinked) and networked activities (e.g. people going off-the-grid or utilizing &ldquo;slow media&rdquo;).</p>
<p>Interactive</p>
<p>The term interactive emphasizes the relation between the tool or service and the increasingly active user (rather than passive consumer) of media. The interactive relates not only to the obvious manipulations that the digital nature permits (e.g. publish, edit, remix, share, consume), but also to how certain features of the interaction repertoire connects to larger social consequences and emergent values. Thus, between the interactive and the passive (or unilateral) media there are issues of engagement, interface and prosumption to be explored.</p>
<p>Online</p>
<p>Online relates to being (continuously) connected to a network or remote service (as offline relates to not being connected). However, the nature of activities is often such that it is distributed over both online and offline social interaction. To highlight this fact, many users are now referring to a state of being &ldquo;away from keyboard&rdquo; (AFK) rather than &ldquo;offline&rdquo;.</p>
<p>Ubiquitous</p>
<p>Ubiquitous (often used in connection to computing) refers to a state of omnipresent computing technology. This highlights the surrounding context in terms of situations and circumstances. The opposite of ubiquitous is arguably the rare, scarce or nowhere media. For example, in the light of current recession and energy crisis theories it is possible to foresee a future where the ubiquitous faces a much less glamorous and hi-tech future than has been projected.</p>
<p>Relating the concepts</p>
<p>In conclusion, this paper suggest that a more clearly defined use of our framing concepts also helps us to consider the various angles and levels of analysis used to examine social interaction via ICT:s.</p>
<table id="internal-source-marker_0.9278261400143971" style="border: medium none; border-collapse: collapse;">
<tbody>
<tr style="height: 0px;">
<td style="border: 1px dotted #aaaaaa; padding: 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; text-decoration: none; vertical-align: baseline;">Term</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; text-decoration: none; vertical-align: baseline;">Antonym</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; text-decoration: none; vertical-align: baseline;">Issues raised</span></td>
</tr>
<tr style="height: 0px;">
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Participatory</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Monopolitical</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">WHO has access/makes use of a particular technology?</span></td>
</tr>
<tr style="height: 0px;">
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Digital</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Analogue</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">WHAT is being communicated/shared/remixed?</span></td>
</tr>
<tr style="height: 0px;">
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Networked</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Isolated (unlinked)</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">TO WHOM is mediated activities directed?</span></td>
</tr>
<tr style="height: 0px;">
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Interactive</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Passive, unilateral</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">HOW can users engage themselves with media? </span></td>
</tr>
<tr style="height: 0px;">
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Online</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Offline</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">WHEN are users engaging with media?</span></td>
</tr>
<tr style="height: 0px;">
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Ubiquitous</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">Rare, scarce or nowhere</span></td>
<td style="border: 1px dotted #aaaaaa; padding: 0px 7px; vertical-align: top;"><span style="font-size: 12pt; font-family: Times New Roman; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;">WHERE are users engaging with media?</span></td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<p>Table 1. Summary of analytical dimensions</p>
<p>We believe that considering these widely used analytical pairs and the spaces inbetween them can cause us to reflect more consciously about what terms we use to describe certain phenomena. The terms covered in this paper are commonplace in Internet research. That said, we do not argue that the terms covered in this short paper are necessarily the best ones to be used for future analyses. Rather, the concepts are by necessity subjects to criticisms in themselves. Thus, a way forward may be to elaborate or even discard the very poles of a dimension.</p>
<p>References</p>
<p>Chen, K., &amp; Yen, D. C. (2004). Improving the quality of online presence through interactivity Information &amp; Management, 42(1), 217-226.</p>
<p>Flew, T. (2008). New Media: An introduction (3rd ed.). South Melbourne: Oxford University Press.</p>
<p>Forn&auml;s, J. (2008). Bridging gaps: ten crosscurrents in media studies. Media, Culture &amp; Society, 30(6), 895-905.</p>
<p>Fuery, K. (2009). New Media: Culture and Image. London: Palgrave Macmillan.</p>
<p>Gitelman, L., &amp; Pingree, G. B. (2003). Introduction: What's New About New Media? In L. Gitelman &amp; G. Pingree (Eds.), New Media 1740-1915. Cambridge: MIT Press.</p>
<p>Hillis, K. (1999). Digital sensations: space, identity, and embodiment in virtual reality. Minneapolis: University of Minnesota Press.</p>
<p>Hirst, M., &amp; Harrison, J. (2008). Communication and New Media: From broadcast to narrowcast. South Melbourne: Oxford University Press.</p>
<p>Lax, S. (2009). Media and Communication Technologies: A critical introduction. London: Palgrave Macmillan.</p>
<p>Morris, M., &amp; Ogan, C. (1996). The Internet as mass medium. Journal of Computer-mediated Communication, 1(4).</p>
<p>Rice, R. E., &amp; Love, G. (1987). Electronic Emotion: socioemotional content in a computer-mediated communication network. Communcation Research, 14(1), 85-108.</p>
<p>Ryberg, T., &amp; Larsen, M. C. (2008). Networked Identities: Understanding Relationships between Strong and Weak Ties in Networked Environments. Journal of Computer Assisted Learning, 24(2), 103-115.</p>
<p>Siegel, J., Dubrovsky, V., Kiesler, S., &amp; McGuire, T. W. (1986). Group processes in computer-mediated communication. Organizational Behavior and Human Decision Processes, 37(2), 157-187.</p>
<p>Wessels, B. (2010). Understanding the Internet: A socio-cultural perspective. London: Palgrave Macmillan.</p>
<p>________________</p>
<p>J&ouml;rgen Sk&aring;geby is an Information Systems and Media Research Fellow at Stockholm University</p>
<p style="margin-left: 36pt; text-indent: -36pt; margin-top: 0pt; margin-bottom: 0pt;">&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-10554697.xml</wfw:commentRss></item><item><title>Friendship in the Facebook Ontology</title><category>Best of IR11</category><category>CMC</category><category>D.E. Wittkower</category><category>Facebook</category><category>friend</category><category>friendship</category><category>interactions</category><dc:creator>Shane Tilton</dc:creator><pubDate>Mon, 21 Feb 2011 16:52:45 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/2/21/friendship-in-the-facebook-ontology.html</link><guid isPermaLink="false">330448:3476043:10554594</guid><description><![CDATA[<p>1.&nbsp;  Friend (v., trans)&nbsp;</p>
<p>Friending is a verb now, and rightly  so.&nbsp; A friend is not an object, and a friendship is not a possession.&nbsp;  When left on the shelf, so to speak, it fades away.&nbsp; As a general  analogy, the transformation of 'friend' into a verb starts us in a better  direction in understanding the nature of friendship than did 'friend'  as a noun.&nbsp;</p>
<p>In the Facebook ontology, friending  is a simple action whereby an ongoing exchange of mutually pushed updates  is established.&nbsp; After this literal friending has been done, other,  manual forms of asynchronous information exchanges may take place, these  constituting that process of befriending required for a friendship  to be struck up, to expand, or to be maintained.&nbsp; If 'friend' is  a verb in this figurative sense, that verb, at a given moment, might  be 'talking', 'chatting', 'gossiping', 'playing', 'teasing', 'sharing',  'poking', 'venting', 'laughing', 'asking', 'musing', or 'helping'.&nbsp;<br /> &nbsp;<br /></p>
<p>2.&nbsp; Unfriend (v., trans)&nbsp;</p>
<p>While Facebook gives us the option  &ldquo;Remove from Friends,&rdquo; &ldquo;unfriend&rdquo; is the obvious word, and fills  a gap--in English, at least.&nbsp; Our most common related idiom is  that two people &ldquo;had a falling out,&rdquo; as if the unfriending had simply  befallen them.&nbsp; Perhaps this is reflective of the respect we have  for deeper friendships, where we realize that what happened and who  was to blame, are both impossible to assess from outside of the particularities  and history of that relationship.&nbsp; But we can certainly have friendships  less deep and complex than this, and I suspect that we will see the  word 'unfriend' take on usage in non-Facebook contexts.&nbsp;</p>
<p>'Unfriending', just like 'friending',  can also be applied analogically to a variety of different relationship-affecting  exchanges.&nbsp; Someone who posts political vitriol--or who speaks  it in person--is being 'unfriendly' towards certain constituencies.&nbsp;  Through these actions of building boundaries to tolerance and understanding,  those falling on the far side are analogically unfriended by degrees;  these actions perform a separation which undermines a purportedly established  friendship status.&nbsp;<br />&nbsp;<br /></p>
<p>3.&nbsp; Friend (n.)&nbsp;</p>
<p>In the Facebook ontology, 'friend'  is a category of vast scope and kaleidoscopic diversity.&nbsp; I am  friends with my mother, my wife, work colleagues, high school friends,  students, co-authors who I've never met, and fans of my writings and  recordings.&nbsp; This categorization is greatly divergent from regular  usage.&nbsp; On the one end:&nbsp; I would never say &ldquo;a friend of  mine told me the other day . . .&rdquo; when it was my wife who had related  the story.&nbsp; Our relationship does encompass friendship, but it  is a greater and more fundamental thing.&nbsp; On the other end:&nbsp;  I do always try to be friendly with my students, but it of great  importance that our relationship not be that of friendship until, at  a minimum, they are no longer in my classroom.&nbsp;</p>
<p>By promiscuously lumping all these  categories together, Facebook allows us to better realize that these  various categories are indistinct in any number of ways.&nbsp; People  pass from one category to another, inhabit several at once, or fail  to fit well within any; and within a category, some interactions will  be appropriately precluded for some members or in some situations, but  not others.&nbsp; This thin concept of &ldquo;friend&rdquo; is productively  ambiguous, and teaches us that we should not too quickly or strictly  limit someone's meaning to us.&nbsp;</p>
<p>We shouldn't think that having a certain  kind of relationship with a 'friend' will preclude developing one of  a different sort.&nbsp; Former students turn into friends, or even colleagues.&nbsp;  Facebook exposes all our communications to all our communities, so we  may discover that a co-worker we've barely talked to is a huge fan of  our favorite science fiction author, sports team, or volunteer activity.&nbsp;</p>
<p>We as researchers need to recognize  that all this changes the nature of friendship, and needs to change  our models too.&nbsp; Strong and weak ties are points on an axis--there  are many points between strong and weak; people move about on that axis;  and that axis is surely just one axis of many.&nbsp; I believe that  Facebook is generally right about friendship, and that established philosophical  views are generally quite mistaken.&nbsp; Is this a systematic failure  on the part of philosophers, or, more likely, has friendship simply  changed significantly within the last 60 or 70 years, and then again  in the last couple of decades?&nbsp; Does Facebook describe friendship  today well because Facebook is a symptom of this technologically-mediated  change, or because it is part of this technologically-emergent change? ﻿</p>
<p>___________________</p>
<p>D.E. Wittkower is a Lecturer of Philosophy at Coastal Carolina University.</p>
<p>&nbsp;</p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-10554594.xml</wfw:commentRss></item><item><title>Best of IR 11.0 Selection</title><category>Best of IR 11</category><category>Best of IR11</category><category>cyberstudies</category><category>papers</category><dc:creator>Shane Tilton</dc:creator><pubDate>Mon, 21 Feb 2011 16:45:54 +0000</pubDate><link>http://www.cyberstudies.org/journal/2011/2/21/best-of-ir-110-selection.html</link><guid isPermaLink="false">330448:3476043:10554534</guid><description><![CDATA[<p>During this week, we will be highlighting the four papers selected for our "Best of IR 11.0." The purpose of this journal was to highlight some of the issues presented during the Association of Internet Researchers (AoIR) annual conference which was held in October. The first selection is by D.E. Wittkower, who is from the Department of Philosophy at Coastal Carolina University. We will present one article a day. The Center for Society and Cyberstudies thanks the authors for the work.</p>
<p>&nbsp;</p>]]></description><wfw:commentRss>http://www.cyberstudies.org/journal/rss-comments-entry-10554534.xml</wfw:commentRss></item></channel></rss>
